Sep. 21st, 2017

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seananmcguire:

animatedamerican:

… Seanan, I was about to reblog this for you and then I realized I was about to reblog it from you.

I have a very clear brand.
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warlockprince:

magnus: *exists*
alec: ♥‿♥
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nephilimalecs:

Malec AU: Magnus Bane and Alec Lightwood are the stars of Hollywood’s newest blockbuster hit, Pandemonium. Rumors have been circulating for months about their relationship, but they’ve been keeping quiet on the topic. They can no longer deny the rumors after being caught making out in a club by paparazzi.
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literaryreference:

You know how it is, right, ladies? You know a guy for a while. You hang out with him. You do fun things with him–play video games, watch movies, go hiking, go to concerts. You invite him to your parties. You listen to his problems. You do all this because you think he wants to be your friend.
But then, then comes the fateful moment where you find out that all this time, he’s only seen you as a potential girlfriend. And then if you turn him down, he may never speak to you again. This has happened to me time after time: I hit it off with a guy, and, for all that I’ve been burned in the past, I start to think that this one might actually care about me as a person. And then he asks me on a date.
I tell him how much I enjoy his company, how much I value his friendship. I tell him that I really want to be his friend and to continue hanging out with him and talking about our favorite books or exploring new restaurants or making fun of avant-garde theatre productions. But he rejects me. He doesn’t answer my calls or e-mails; if we’d been making plans to do something before this fateful incident, these plans mysteriously fail to materialize. (This is why I never did get around to seeing the Hunger Games movie. Not to name any names, but thanks a lot, Tom.) Later, when I run into him at social events, our conversations are awkward and lukewarm. This is because the moment we met, he put me in the girlfriend-zone, and now he can’t see me as friend material.
I must say that I find this really unfair. I mean, I’m a nice girl. I have a lot to offer as a friend, like not being a douchebag and stuff. But males just don’t want to be friends with nice girls like me. They can’t help it, I guess; it’s just how they’re wired, biologically. Evolution conditioned our male hominid ancestors to seek nice girls as mates and form friendship bonds only with the other dudes that they hunted mammoths with. It’s true–I know this because I studied hominids in my fifth-grade science class.
So what’s the answer? Should I take up mammoth-hunting in an attempt to appeal to the friendship centers of men’s primal lizardbrains? Should I keep making guy “friends” and then prevent them from making a move on me by subtly undermining their self-confidence? Should I just give up on those manipulative, game-playing, two-faced bastards once and for all? I don’t know. I mean, I’d really like to have a true friendship with a guy someday, but it’s so hard to trust and respect them when they never say what they mean–and you never know when you might be relegated to the girlfriend-zone.
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thefingerfuckingfemalefury:

parkers-peters:

actual footage of patty jenkins talking about joss whedon

The Hero We Need
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queendeepika:

Deepika Padukone in Cocktail
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And that’s the real difference between Blade and the superhero franchises that have followed. Blade was never a big-name character in the first place. So there wasn’t a whole lot of retro-geek enthusiasm associated with the character. But more than that, Blade, the film, simply isn’t backwards-looking.

There’s none of the Greatest Generation boosterism that clings to the Captain America franchise, for example. Nor do we get from Blade the home front 50s stay-at-home mom-with-kids meme that pops up incongruously in Age of Ultron when we get to meet Hawkeye’s secret, perfect family.

Instead, Blade is deliberately, defiantly hip. Motherhood isn’t idealized; on the contrary, one of the queasier moments of the film involves Blade ruthlessly offing his feral, incestuously sexual, evil vampire mom. If there is nostalgia, it’s for blaxploitation’s up-to-the-minute cool.

The movie’s first grinding, sweaty, sex-and-blood drenched night club scene hasn’t dated at all. Nor has the Afrocentric incense store where Blade buys his formula fix, nor the black, brotherhood embrace between that store’s owner and the hero. There’s a notable lack of cell phones, of course, and the computer graphics prophesying the coming of the blood god look rather dated. But there’s little question that, as much as it’s able, the film is looking forward not back.

And part of the reason it’s looking forward, I think, is race. Blade—unlike most superhero films—is set in a meaningfully integrated world. That Afrocentric shop suggests, quietly but definitely, that Blade is part of a black community and that that community matters to him. One of his two crime-fighting companions Dr. Karen Jenson (N'Bushe Wright), is also black.

The diverse cast, and the acknowledgement of diverse communities, is part of why the film still feels and looks relevant. Here, after all, is a narrative that was fulfilling the call for more diverse superhero movies before superhero movies were even a thing.

But beyond that, Blade makes clear the extent to which nostalgia and whiteness are inextricably bound together in so much of the superhero genre. Retooling old, old pop-culture heroes[1] means, inevitably, dreaming about white saviors and about a time when white people were the only ones who were allowed to be heroes.


-

THE WHITE SUPERHERO FAD STARTED, CRAZY ENOUGH, WITH BLADE

[1]

A lot of us have talked a lot about how Blade started the current superhero domination in Hollywood and how current films forget that; and though it’s important to ask what kinds of behind-the-scenes decisions have caused that, I like this analysis about how Blade is fundamentally different from what we’re getting today and how that film is, in many ways, incompatible with today’s Ant-Men and Men of Steel.

(via dakotacityukuleleorchestra)
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borgiapope:

Isabella Fortuna + Costumes
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diegolunadaily:

I’m not going to let any wall get in between me and my love stories.
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nerdsagainstfandomracism:

Taika Waititi speaks out against racism
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foshriizzle:

herestomycreativity:

“Now very much against her will, she thought of the way Jace had looked at her then, the blaze of faith in his eyes, his belief in her. He had always thought she was strong. He had showed it in everything he did, in every look and every touch. Simon had faith in her too, yet when he’d held her, it had been as if she were something fragile, something made of delicate glass. But Jace had held her with all the strength he had, never wondering if she could take it–he’d known she was as strong has he was.”  - city of glass

i don’t even go here but that’s an important concept–a man in love with you who also respects your strength. i was rewatching season 1–and 1x08-1x12 are all clary running the show and jace being like “yeah you look ready!” like at no point does he try to compete with her by putting her down so he can be the big protective hero. and it’s NOT because she’s already an established badass fighter like izzy–she clearly has none of their fighting skills and knows nothing about the shadow world, or because he doesn’t want to protect her–he throws himself into the fray (ha) for her immediately from the moment they met because i want to protect you is NOT equivalent to you are weak and can’t be allowed to be autonomous. and maybe that’s what chivalry is–equating those two.  
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