athousanderrors

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runakvaed:

Harry Potter/Wizarding World AU
requested by @operaticspacetrash

England, 1979. The wizard known as The Dark Lord and his followers have all but ravaged the country and are at open war with the Ministry of Magic. Officials are desperately trying to keep the battle hidden from the muggle population, more and more of which are falling victim to torture and outright sadistic murder every day.

Within the Investigation Department, a subdivision of the Auror Office, Cassian Andor suspects that his work may have been compromised by a spy when an important informant known only to a few goes missing. His last message before he lost contact is one Cassian has yet to share with anyone else; an unfinished paper on a disturbing aspect of magical theory, dated 1962 and signed by Galen Erso. A surname painfully familiar to Cassian, in the form of the girl who was once his best friend, the missing part of him, and is now an allusive woman he has not seen since graduating in ‘73, and hasn’t spoken to since their fallout even earlier than that.

Jyn Erso certainly didn’t suspect it when he shows up in her little shack, imploring her to come with him on a mission unsanctioned by the ministry, to find her missing father and discover what it is about his research Cassian’s source thought vital for him to know.

And so, a Slytherin girl and Hufflepuff boy go rogue, travelling across the country and avoiding Voldemort’s army, to find a father thought long lost and discover a dark secret kept long hidden, that will be of great importance in a battle that lies almost two decades into the future.

Maybe, along the way, they can rediscover each other as well.

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theamazingdigitalart:

The amazing concept art for Star Wars: Rogue One

The Art of Rogue One: A Star Wars Story
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anghraine:

I’ve ranted before about how much I dislike the idea that the Rogue One team’s deaths are mandated by continuity, given that 1) we only ever see the Rebellion in glimpses, with new-yet-longstanding leaders appearing with every movie, and 2) they’re spies.

But I think I’m even more :| at the idea that it was mandated by their in-story characters. That is, that the Scarif mission is about as good as it was ever going to get for them, and they’re too troubled/unconventional/traumatized/rootless/whatever to find any real peace or happiness in living. Dying in triumph and hope was really the kindest end for them. Et cetera.

I mean, part of it is that aggressive unsentimentality is not really my deal. Beyond that, though, I really can see the reasoning, and I leaned somewhat that way in the beginning, but the more I think about it—especially now that I can watch closely—the more dissatisfying I find it.

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braids-and-bowcasters:

cowboykiller:

turnabout:

margary:

I’m crying.

Yessssssss

@ricktimus @ricktimus @ricktimus

@feynmanguy