May. 13th, 2018

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writerly-blonde:

mionthia:

How does one write action scenes or sword fights or fights in general

Hey! I hope you don’t mind but I personally love writing fight scenes so I can share some of my personal tips and tricks (also check out @howtofightwrite for more in depth, accurate references, facts, forms, and injuries for all kinds of fights)

1) Move your characters: A fight is rarely stagnant with two or more characters directly facing each other and not moving. A good way to add tension and pull your readers in is to move your characters around. Who has the upper hand? Who pushes the other back? Who searches for the high ground? Think about the dynamic between the characters and how that affects the way they fight. Who is more defensive and who is more offensive? How do they move? Unpredictably and blunt or fluid and graceful, experienced and calculating?

2) Use your surroundings: They might be fighting with swords but rarely are they in a void with only swords or fists at their disposal. Where are they? If they’re fighting with swords, who gets the upper hand, the higher ground? Use chairs, stairs, ropes, legs, elbows, anything possible to get an advantage. By using things other than their chosen weapon you increase the tension and dynamic of the scene, making it more interesting

3) The senses: what do they hear? Their blades clanging? Their hearts pounding? Do they pant and grunt from exertion? What do they feel? No matter how skilled you are, you’re not going to get out of a fight unharmed so how does that feel? What do they smell? Taste? The coppery tang of blood? Engulf the reader in the fight directly

4) Emotions/thoughts : what are they thinking? Break up the fight into what they think, what they feel. Action, thought, action, thought, etc. It brings in the human aspect and gives your reader a break from purely action

5) Language: Don’t use technical language, or at least, so much so that the readers can’t keep up. Rather than:

He swung with a right hook, shifting his leg back for balance. His knuckles connected to the man’s cheek.

Instead, do something like:

He swung. Braced himself for the impact. There was a crack as his hand slammed into the man’s jaw. Pain laced up his arm but he was already shaking it off, backing away.

Additionally, use choppier, blockier sentences to mimic the actions. Short sentences convey action much better than long, winding descriptive sentences. So, for example:

He pushed the man back, swinging with each step. Each time, his punches landed with a dull thud. Each one sounded like his heartbeat in his ears. Thud. Thud. Thud. Crack.

The man howled. Held his jaw. Backed away as the other man shook out his hand. Winced. Gave himself a moment to breathe.

And before either were ready, he pounced again.

Probably not the most well written example but hopefully it gets the point across. Short and sweet are your friends here!

Ultimately, think of a fight scene as a dance. Where does each character go? How do they move and what do they use to be most effective? Let your characters interact with their environment and their own thoughts; they’re not in a bubble!

But finally, have fun with it!

Good luck! :)
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everythingfox:

Zzz amirite
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bokehm0n:

Castle Stalker - Scotland
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alyciascampbell:

AWAKEN.
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gallusrostromegalus:

most-definitely-human:

brunhiddensmusings:

katekarl:

hello-kitty-senpai:

hello-kitty-senpai:

There is a specific and terrifying difference between “never were” monsters and “are not anymore” monsters

“The thing that was not a deer” implies a creature which mimics a deer but imperfectly and the details which are wrong are what makes it terrifying

“The thing that was not a deer anymore” on the other hand implies a thing that USED to be a deer before it was somehow mutated, possessed, parasitically controlled or reanimated improperly and what makes THAT terrifying is the details that are still right and recognizable poking out of all the wrong and horrible malformations.

hey I totally fucked up and forgot the 3rd type, which is “Is Not Anymore And Maybe Never Was” monsters

“The thing which was no longer a deer and maybe never was” implies a creature that, at first glance, completely appears to be a deer, but over time degrades very slowly until you realize (probably too late) that it is not a deer anymore, and had you seen it in this state first, you wouldn’t have recognized it as a deer at all, and there’s a decent chance that it was never actually a deer to begin with but only a very good mimic, and what makes this one scary is the slow change from everything being right to everything being wrong, happening slowly enough that you don’t even notice it until its too late, as well as the fact that something now so clearly not a deer could have fooled you to begin with.

And the fourth type, which is, “I dunno, but it sure ain’t a deer.” Which implies complete confusion about what the creature could be, to the point that even a person as comfortable in this world as someone who would use the word ain’t unironically is uncertain, which should horrify you to the deepest depths of your soul.

one that i particularly enjoyed was the ‘nonesuch’, a beast which when you see it your brain convinces you ‘nope, no way that shit is real’. on some level it becomes less real after having been seen by someone who disbelieves its existence as well

@systlin

May I propose the additional type of “that’s definitely a deer but deer are much more fucked up than previous realized”, because turning the corner on a trail and having half a dozen deer suddenly turn and look up from eating Thier companion’s remains is a special kind of spooky.
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obiwanjedi:

How to ‘avoid spoilers’ according to Hawkeye.
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maakomori:

and people forget that harry was a lonely child who lived in an abusive and neglectful household and somehow he managed to be cordial if not kind to people who looked up to him and needed him

he had less than snape coming into hogwarts he didn’t know about hogwarts, he didn’t know there were people like him, he didn’t even have A friend but he was still a basically good person

“can you imagine how much pain snape must have been in when he saw harry” so?

harry is a traumatised child who has been told all his life that he was worthless, that he was trash like his parents, that his parents must have done something to deserve their death, that the abuse rained daily upon him was kindness because he should not expect to be taken care of

he was an eleven year old child i don’t care how much he reminds you of someone you hated you don’t hurt eleven year old children as an adult, as a teacher, especially not ones who have had terrible childhoods to begin with.
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May. 13th, 2018 09:34 pm
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